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02 Aug
Jochen Pankrath - Malerei-sehen – malen – denken -Woche 1+2

Jochen Pankrath - Malerei-sehen – malen – denken -Woche 1+2

Sunday Aug 2, 2026 to Saturday Aug 15, 2026

Course Description Intensive painting is the guiding principle of this course. What is seen and/or thought becomes a picture. The focus is on the figure, the landscape, or the object. Starting with realistic situations, fictional stories and abstractions can develop. Personal ideas for painting can be explored and given a painterly expression. Painting and drawing experiments will be conducted to expand your repertoire. Individual consultations will address your work, and group discussions will round out the course. [Individual consultations will be held to discuss your work] Courses for ages 16 and up. Children and animals are not permitted. Born in 1981 in Roding (Bavaria) School education (Abitur) from 1988 to 2002 Internship at the Werkbund Workshop Nuremberg e.V. from 2002 to 2003 Studied Fine Arts at the Academy of Fine Arts Nuremberg from 2003 to 2009 under Professor Ralph Fleck (Master Student) Freelance painter since 2009 Lecturer at the Neuburg Summer Academy in 2015, 2016, and 2017 Awards and Scholarships 2006 Welde Art Prize 2007 German National Academic Foundation JAB Art Prize 2008 lfa Funding Calendar Bavaria 2009 North Sea Art Prize Spiekeroog 2013 Nuremberg Art Prize News 2014 Wolfram von Eschenbach Advancement Award 2024 Dr. Ulrich Lechner Prize for Landscape Painting Exhibitions (Selection) 2019 Abstract Philosophers and Other Overpaintings (Galerie Bode, Nuremberg) Tête-à-Tête: Christian Jasper and Jochen Pankrath in Dialogue (Neue Galerie Dachau) 2021 For No Reason (Kunstverein Unna) Tree Affinities (Galerie Bode, Nuremberg) 2023 Landscapes (Galerie Ahlers, Göttingen) 2025 Landscapes (Project Space Q + Galerie Bode, Seoul, South Korea) A View of the World – Contemporary Landscape Paintings (Kunstverein Zirndorf) Art in Public Space 2024 Display No. 9 (Kunst Galerie Fürth)

 

Fine Arts

Appointment series

Sun
8/2/26 - 8/8/26
Fine Arts
The focus of the course is the clarification and further development of own pictorial concepts in the field of tension between representativeness and abstraction. The basis is perception, natural vision (in contrast to the camera's gaze), direct contact with things, precise observation, one's own fresh gaze rubbing against reality, because the training of the gaze is also necessary for abstract work. As a result of spatial-object representations, abstract compositions can be created that structure the image surface with their own pictorial rhythm. The course offers individual support on the way to the further development of one's own visual language. It is aimed at people with several years of painting practice.
Mon
8/10/26 - 8/15/26
Fine Arts
The focus of the course is the clarification and further development of own pictorial concepts in the field of tension between representativeness and abstraction. The basis is perception, natural vision (in contrast to the camera's gaze), direct contact with things, precise observation, one's own fresh gaze rubbing against reality, because the training of the gaze is also necessary for abstract work. As a result of spatial-object representations, abstract compositions can be created that structure the image surface with their own pictorial rhythm. The course offers individual support on the way to the further development of one's own visual language. It is aimed at people with several years of painting practice.