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Dear friends of the Neuburg Summer Academy,

we are currently planning the 47th Neuburg Summer Academy. You can register for our courses from December 18th 2024 at 5:00 p.m.

Your Neuburg Cultural Office

10 Aug
€500.00
8 free spaces
Mon 8/10/26 - 8/15/26
86633-neuburg-an-der-donau-franziskanerstrasse-b-200-volkshochschule-neuburg-an-der-donau-e-v
Early Music
Lea Rahel Bader studied cello at the Hanns Eisler School of Music in Berlin and baroque cello and viola da gamba at the Frankfurt University of Music and Performing Arts, with teachers including Stephan Forck and Kristin von der Goltz.
10 Aug
€163.00
47 free spaces
Mon 8/10/26 - 8/15/26
Descartes-Gymnasium Neuburg
Courses for children and young people
Dive into a vibrant world of colors, shapes, creativity, and imagination!

At the Summer Academy for children and teenagers, the creative process takes center stage – free, playful, and excitingly new.

Here, children can paint, build, design, learn, and experiment.

Together, we'll discover new techniques, new materials, and new perspectives.

Whether it's brushes, clay, hands, wood, or recycled materials – everything becomes art and is art.

With heart, humor, and experience, we'll forge new paths to creativity.

Every day is a new experience for mind, heart, and hands.

Make friends, try new things, discover your own style.

The Summer Academy is a place where imagination can flourish.

A place where children rediscover themselves and the world.

Art, design, nature, fun – and lots of "I can do it!"
10 Aug
€163.00
48 free spaces
Mon 8/10/26 - 8/15/26
Descartes-Gymnasium Neuburg
Courses for children and young people
FOR CHILDREN BETWEEN 6 AND 10 YEARS       Additionally, there is the possibility to book lunch time supervision from 12.00 to 14.00, including lunch and a visit to the open-air swimming pool.
10 Aug
€500.00
6 free spaces
Mon 8/10/26 - 8/15/26
Volkshochschule Neuburg
Early Music
Xenia Löffler has dedicated herself to exploring the fascinatingly diverse oboe repertoire from its beginnings to the 19th century.
10 Aug
Mon 8/10/26 - 8/15/26
Volkshochschule Neuburg
Early Music
Apart from early piano lessons, Gerhard Abe-Graf received his musical basic education by attending the music high school of the “Regensburger Domspatzen”. He was a master student from Christiane Jaccottet at the Conservatory of Geneva. After his successfully completed concert exam of harpsichord, he expanded his knowledge of basso continuo with postgraduate studies with J.B. Christensen at the Schola Cantorum Basiliensis.
10 Aug
Anna-Maria Kursawe - Painting - On the Relationship between Objectivity and Abstraction

Anna-Maria Kursawe - Painting - On the Relationship between Objectivity and Abstraction

€330.00
6 free spaces
Mon 8/10/26 - 8/15/26
Fine Arts
The focus of the course is the clarification and further development of own pictorial concepts in the field of tension between representativeness and abstraction. The basis is perception, natural vision (in contrast to the camera's gaze), direct contact with things, precise observation, one's own fresh gaze rubbing against reality, because the training of the gaze is also necessary for abstract work. As a result of spatial-object representations, abstract compositions can be created that structure the image surface with their own pictorial rhythm. The course offers individual support on the way to the further development of one's own visual language. It is aimed at people with several years of painting practice.
10 Aug
Mon 8/10/26 - 8/15/26
86633-neuburg-an-der-donau-franziskanerstrasse-b-200-volkshochschule-neuburg-an-der-donau-e-v
Early Music
Following her training on the modern oboe, Eleonora Trivella completed a master's degree and a soloist's master's degree in baroque oboe and historical oboe at the Berlin University of the Arts. She received her training under the inspiring guidance of Prof Xenia Löffler. She performs regularly with various renowned ensembles and orchestras, including AKAMUS, Collegium 1704, Lautten Compagney, Concerto Köln, Batzdorfer Hofkapelle, Capella Cracoviensis, Freiburger Barockorchester, La festa musicale, Deutsche Händelsolisten, and others.

10 Aug
Stefanie Pojar - Printing - Experimental printing graphics

Stefanie Pojar - Printing - Experimental printing graphics

€330.00
Bookable only with request
Mon 8/10/26 - 8/15/26
Obere Altstadt Neuburg
Fine Arts
The main aim of the course is the experimental and playful handling of print graphics. Cold needle, material, stencil and plant printing, wood and linoleum cutting, as well as monotyping and frottage are possible. Experimenting with different materials and techniques, even combinations, is desirable. The use of various, “unusual” tools, such as cutters, drills, cutting tools or even chainsaws and Dremels is also conceivable. Unusual substrates, i. e. not only paper, but also textiles and plastics can be brought along and used. The tools and materials should be brought with you or certain errands should be agreed with the group.

10 Aug
Katrin Schöß- Landscape and Architecture - Drawing and Painting in the Open Air

Katrin Schöß- Landscape and Architecture - Drawing and Painting in the Open Air

€330.00
7 free spaces
Mon 8/10/26 - 8/15/26
Obere Altstadt Neuburg
Fine Arts
Landscape and architecture - drawing and painting in the open air
Motifs in nature and/or in an urban context (urban sketching) are our starting point: we put our impressions on site on paper or on canvas. Each participant finds a personal approach to artistically dealing with the place and the time spent there. The focus should be on the process, the experiment and the experience, not the result.
Topics such as horizon, perspective, plot, composition, structures, light and shadow, Lo sfumato, La sprezzatura etc. are discussed and, if necessary, expanded upon.
Depending on the weather and location, different materials can be used and combined in unusual ways.
10 Aug
Jochen Pankrath - Malerei-sehen – malen – denken -Woche 1+2

Jochen Pankrath - Malerei-sehen – malen – denken -Woche 1+2

€330.00
8 free spaces
Mon 8/10/26 - 8/15/26
Fine Arts
The focus of the course is the clarification and further development of own pictorial concepts in the field of tension between representativeness and abstraction. The basis is perception, natural vision (in contrast to the camera's gaze), direct contact with things, precise observation, one's own fresh gaze rubbing against reality, because the training of the gaze is also necessary for abstract work. As a result of spatial-object representations, abstract compositions can be created that structure the image surface with their own pictorial rhythm. The course offers individual support on the way to the further development of one's own visual language. It is aimed at people with several years of painting practice.