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Dear friends of the Neuburg Summer Academy,

we are currently planning the 47th Neuburg Summer Academy. You can register for our courses from December 18th 2024 at 5:00 p.m.

Your Neuburg Cultural Office

02 Aug
€500.00
Bookable
Sun 8/2/26 - 8/7/26
86633-neuburg-an-der-donau-franziskanerstrasse-b-200-volkshochschule-neuburg-an-der-donau-e-v
Jazz / Pop
Stuttgart-based saxophonist and composer Alexander Sandi Kuhn studied in Stuttgart, Nuremberg, Boston, and New York. In 2013, he received the Baden-Württemberg Jazz Prize for his artistic work and was a recipient of a grant from the Baden-Württemberg Arts Foundation, among other accolades.
02 Aug
€610.00
3 free spaces
Sun 8/2/26 - 8/15/26
Obere Altstadt Neuburg
Fine Arts
The main aim of the course is the experimental and playful handling of print graphics. Cold needle, material, stencil and plant printing, wood and linoleum cutting, as well as monotyping and frottage are possible. Experimenting with different materials and techniques, even combinations, is desirable. The use of various, “unusual” tools, such as cutters, drills, cutting tools or even chainsaws and Dremels is also conceivable. Unusual substrates, i. e. not only paper, but also textiles and plastics can be brought along and used. The tools and materials should be brought with you or certain errands should be agreed with the group.

02 Aug
Stefanie Pojar - Printing - Experimental printing graphics

Stefanie Pojar - Printing - Experimental printing graphics

€330.00
3 free spaces
Sun 8/2/26 - 8/8/26
Obere Altstadt Neuburg
Fine Arts
The main aim of the course is the experimental and playful handling of print graphics. Cold needle, material, stencil and plant printing, wood and linoleum cutting, as well as monotyping and frottage are possible. Experimenting with different materials and techniques, even combinations, is desirable. The use of various, “unusual” tools, such as cutters, drills, cutting tools or even chainsaws and Dremels is also conceivable. Unusual substrates, i. e. not only paper, but also textiles and plastics can be brought along and used. The tools and materials should be brought with you or certain errands should be agreed with the group.

02 Aug
€610.00
6 free spaces
Sun 8/2/26 - 8/15/26
Obere Altstadt Neuburg
Fine Arts
Landscape and architecture - drawing and painting in the open air
Motifs in nature and/or in an urban context (urban sketching) are our starting point: we put our impressions on site on paper or on canvas. Each participant finds a personal approach to artistically dealing with the place and the time spent there. The focus should be on the process, the experiment and the experience, not the result.
Topics such as horizon, perspective, plot, composition, structures, light and shadow, Lo sfumato, La sprezzatura etc. are discussed and, if necessary, expanded upon.
Depending on the weather and location, different materials can be used and combined in unusual ways.
02 Aug
Katrin Schöß- Landscape and Architecture - Drawing and Painting in the Open Air

Katrin Schöß- Landscape and Architecture - Drawing and Painting in the Open Air

€330.00
6 free spaces
Sun 8/2/26 - 8/8/26
Obere Altstadt Neuburg
Fine Arts
Landscape and architecture - drawing and painting in the open air
Motifs in nature and/or in an urban context (urban sketching) are our starting point: we put our impressions on site on paper or on canvas. Each participant finds a personal approach to artistically dealing with the place and the time spent there. The focus should be on the process, the experiment and the experience, not the result.
Topics such as horizon, perspective, plot, composition, structures, light and shadow, Lo sfumato, La sprezzatura etc. are discussed and, if necessary, expanded upon.
Depending on the weather and location, different materials can be used and combined in unusual ways.
02 Aug
Jochen Pankrath - Malerei-sehen – malen – denken -Woche 1+2

Jochen Pankrath - Malerei-sehen – malen – denken -Woche 1+2

€610.00
5 free spaces
Sun 8/2/26 - 8/15/26
Fine Arts
The focus of the course is the clarification and further development of own pictorial concepts in the field of tension between representativeness and abstraction. The basis is perception, natural vision (in contrast to the camera's gaze), direct contact with things, precise observation, one's own fresh gaze rubbing against reality, because the training of the gaze is also necessary for abstract work. As a result of spatial-object representations, abstract compositions can be created that structure the image surface with their own pictorial rhythm. The course offers individual support on the way to the further development of one's own visual language. It is aimed at people with several years of painting practice.
02 Aug
Jochen Pankrath - Malerei-sehen – malen – denken -Woche 1+2

Jochen Pankrath - Malerei-sehen – malen – denken -Woche 1+2

€330.00
5 free spaces
Sun 8/2/26 - 8/8/26
Fine Arts
The focus of the course is the clarification and further development of own pictorial concepts in the field of tension between representativeness and abstraction. The basis is perception, natural vision (in contrast to the camera's gaze), direct contact with things, precise observation, one's own fresh gaze rubbing against reality, because the training of the gaze is also necessary for abstract work. As a result of spatial-object representations, abstract compositions can be created that structure the image surface with their own pictorial rhythm. The course offers individual support on the way to the further development of one's own visual language. It is aimed at people with several years of painting practice.
03 Aug
€163.00
No free place
Mon 8/3/26 - 8/8/26
Descartes-Gymnasium Neuburg
Courses for children and young people
Christoph Hoffmann was born in Neuburg. After his Abitur, he studied drums and conducting at the Vocational School for Music in Sulzbach-Rosenheim. In 2006 he studied classic drums and music theory at the University of Music in Würzburg. In 2010 he completed his studies as diploma musician and diploma music teacher. Since then, he has been working as a teacher for drums and percussion, a grammar school teacher, and as a lecturer for workshops for all kinds of percussion. His workshop repertoire covers coaching at primary schools, working with percussion sections in a band and African drums. As a freelance artist, he even performed in the “Carnegie Hall” in New York where he played timpani in the “World Milal Orchestra” in 2009.  
10 Aug
Miriam Wahl - Painting

Miriam Wahl - Painting

€330.00
No free place
Mon 8/10/26 - 8/15/26
Obere Altstadt Neuburg
Fine Arts
Painting is as complex as life and the people who, for mysterious reasons, keep reaching for paint and brushes. What am I looking for with and in painting? This workshop offers space and time to continue on your own artistic path and to work on old and new motifs, methods, questions and insights with support. The focus is on individual painting projects, which are further developed and supported in individual and group discussions. There will be no recipes or set techniques, but instead numerous exercises and suggestions to immerse yourself in the diverse world of painting and to train your gaze, sensitivity, sense of color and space in a playful, exploratory way and to get ideas for your own work. For example, we will become aware of the possibilities of artistic principles such as series, individual works or groups of works or various approaches to image creation, experiment with painting surfaces, collections of materials and the inexhaustible fund of our own view of the world. Trust in what we do, mutual inspiration and the joy of the painting means themselves are at the heart of this workshop.

All those who want to embark on an intensive painting process and are open to playfulness and the unexpected along the way are welcome.
10 Aug
Andreas Kotulla - Drawing - Experiments and Explorations (beide Wochen)

Andreas Kotulla - Drawing - Experiments and Exploration (Woche 2)

€330.00
9 free spaces
Mon 8/10/26 - 8/15/26
Obere Altstadt
Fine Arts
For my artistic approach, it is essential to transfer aesthetic concepts and experiences from one medium to another. For drawing and for the course, this means, among other things, starting from the question: How does the space get into the surface ¬– and the drawing into the space?
I would like to encourage and support the participants to develop a personal approach to this issue and their own forms of expression, using as wide a range of techniques and materials as possible, from classic drawing techniques to more unconventional means.
Individual and group discussions about the experiences gained in drawing experiments should also be accompanied by occasional excursions into art history and visits to exhibitions on the subject.