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Dear friends of the Neuburg Summer Academy,

we are currently planning the 47th Neuburg Summer Academy. You can register for our courses from December 18th 2024 at 5:00 p.m.

Your Neuburg Cultural Office

02 Aug
Verena Freyschmidt – Paper Art

Verena Freyschmidt – Paper Art

€330.00
1 free place
Sun 8/2/26 - 8/8/26
Obere Altstadt
Fine Arts
Paper is one of the inventions that has profoundly influenced and shaped our culture. Its function as a writing surface simplified the recording and reproduction of the written word. For us, the use of paper in many areas of our daily lives has become commonplace. In the creative field, we primarily use paper as a support for drawing, writing, and painting.
02 Aug
€163.00
48 free spaces
Sun 8/2/26 - 8/8/26
Descartes-Gymnasium Neuburg
Courses for children and young people
Dive into a vibrant world of colors, shapes, creativity, and imagination!

At the Summer Academy for children and teenagers, the creative process takes center stage – free, playful, and excitingly new.

Here, children can paint, build, design, learn, and experiment.

Together, we'll discover new techniques, new materials, and new perspectives.

Whether it's brushes, clay, hands, wood, or recycled materials – everything becomes art and is art.

With heart, humor, and experience, we'll forge new paths to creativity.

Every day is a new experience for mind, heart, and hands.

Make friends, try new things, discover your own style.

The Summer Academy is a place where imagination can flourish.

A place where children rediscover themselves and the world.

Art, design, nature, fun – and lots of "I can do it!"
02 Aug
€610.00
3 free spaces
Sun 8/2/26 - 8/15/26
Obere Altstadt Neuburg
Fine Arts
The main aim of the course is the experimental and playful handling of print graphics. Cold needle, material, stencil and plant printing, wood and linoleum cutting, as well as monotyping and frottage are possible. Experimenting with different materials and techniques, even combinations, is desirable. The use of various, “unusual” tools, such as cutters, drills, cutting tools or even chainsaws and Dremels is also conceivable. Unusual substrates, i. e. not only paper, but also textiles and plastics can be brought along and used. The tools and materials should be brought with you or certain errands should be agreed with the group.

02 Aug
€610.00
6 free spaces
Sun 8/2/26 - 8/15/26
Obere Altstadt Neuburg
Fine Arts
Landscape and architecture - drawing and painting in the open air
Motifs in nature and/or in an urban context (urban sketching) are our starting point: we put our impressions on site on paper or on canvas. Each participant finds a personal approach to artistically dealing with the place and the time spent there. The focus should be on the process, the experiment and the experience, not the result.
Topics such as horizon, perspective, plot, composition, structures, light and shadow, Lo sfumato, La sprezzatura etc. are discussed and, if necessary, expanded upon.
Depending on the weather and location, different materials can be used and combined in unusual ways.
02 Aug
Yke Prins - sculpture and object

Yke Prins - sculpture and object

€330.00
No free place
Sun 8/2/26 - 8/8/26
Obere Altstadt Neuburg
Fine Arts
This course provides space for diverse, three-dimensional working with classic materials (i.e. metal, clay, paper, plaster, wood, no stone processing) and it broadens the view for other surprising materials and strategies. Every day there is an offer to take part in a little, playful practical exercise of three-dimensional thinking. Inspired by works of contemporary artists, there are little “morning exercises” which should challenge the participants to discover together new material and space. These exercises will help to develop discovering new possibilities for your own individual work and to learn from the ideas and strategies of others. The focus will lie on developing and realising individual ideas – figurative, abstract or installative. This course is suitable for persons who have already gained experience in three-dimensional designing as well as for beginners who want to gain basic knowledge.
02 Aug
€163.00
51 free spaces
Sun 8/2/26 - 8/8/26
Descartes-Gymnasium Neuburg
Courses for children and young people
FOR CHILDREN BETWEEN 6 AND 10 YEARS       Additionally, there is the possibility to book lunch time supervision from 12.00 to 14.00, including lunch and a visit to the open-air swimming pool.
02 Aug
Jochen Pankrath - Malerei-sehen – malen – denken -Woche 1+2

Jochen Pankrath - Malerei-sehen – malen – denken -Woche 1+2

€610.00
5 free spaces
Sun 8/2/26 - 8/15/26
Fine Arts
The focus of the course is the clarification and further development of own pictorial concepts in the field of tension between representativeness and abstraction. The basis is perception, natural vision (in contrast to the camera's gaze), direct contact with things, precise observation, one's own fresh gaze rubbing against reality, because the training of the gaze is also necessary for abstract work. As a result of spatial-object representations, abstract compositions can be created that structure the image surface with their own pictorial rhythm. The course offers individual support on the way to the further development of one's own visual language. It is aimed at people with several years of painting practice.
03 Aug
€163.00
No free place
Mon 8/3/26 - 8/8/26
Descartes-Gymnasium Neuburg
Courses for children and young people
Christoph Hoffmann was born in Neuburg. After his Abitur, he studied drums and conducting at the Vocational School for Music in Sulzbach-Rosenheim. In 2006 he studied classic drums and music theory at the University of Music in Würzburg. In 2010 he completed his studies as diploma musician and diploma music teacher. Since then, he has been working as a teacher for drums and percussion, a grammar school teacher, and as a lecturer for workshops for all kinds of percussion. His workshop repertoire covers coaching at primary schools, working with percussion sections in a band and African drums. As a freelance artist, he even performed in the “Carnegie Hall” in New York where he played timpani in the “World Milal Orchestra” in 2009.  
10 Aug
€500.00
Bookable
Mon 8/10/26 - 8/15/26
Volkshochschule Neuburg
Early Music
Following an inspiring Renaissance week at the last Summer Academy, the 2026 Summer Academy will take us musically to Great Britain. The focus will be on the period between approximately 1680 and 1760 – an era full of beauty, elegance, and expressiveness – with works by composers such as Henry Purcell and George Frideric Handel. Participants in the vocal course will receive instruction from Emma Kirkby and Florian Franke, as well as the opportunity to perform together with students from the instrumental courses. During the chamber music sessions, the instrumental instructors will also provide additional artistic inspiration. Course structure: Mornings: Individual lessons alternating between Emma Kirkby and Florian Franke. Afternoons: Ensemble and chamber music work with both instructors. This ensures that all participants receive daily inspiration from both teachers. A key component of the course is the opportunity to observe each other's individual lessons. Listening and observing together is strongly encouraged, as it provides valuable insights and learning experiences and enriches the vocal development of all participants.
10 Aug
Andreas Kotulla - Drawing - Experiments and Explorations (beide Wochen)

Andreas Kotulla - Drawing - Experiments and Exploration (Woche 2)

€330.00
9 free spaces
Mon 8/10/26 - 8/15/26
Obere Altstadt
Fine Arts
For my artistic approach, it is essential to transfer aesthetic concepts and experiences from one medium to another. For drawing and for the course, this means, among other things, starting from the question: How does the space get into the surface ¬– and the drawing into the space?
I would like to encourage and support the participants to develop a personal approach to this issue and their own forms of expression, using as wide a range of techniques and materials as possible, from classic drawing techniques to more unconventional means.
Individual and group discussions about the experiences gained in drawing experiments should also be accompanied by occasional excursions into art history and visits to exhibitions on the subject.